A reliable, affordable, and simple professional wireless headset that doesn’t compromise on sound quality. Comes in both DECT and Bluetooth versions with several duo and mono variants for both desk phones and computers. Long range – take calls over 100 meters away from your desk World-class sound – HD voice & noise cancellation Easy to use – Plug-n-play with 12-hour battery Now everyone can experience wireless productivity and freedom In short: Real business benefits. But don’t take our word for it. Benchmark Portals completed a study of Brother International Technical Support moving to wireless, and concludes: "Wireless headsets might be the highest ROI investment you can make:" Lower talk time: Average talk time went from 19.5 minutes to 14.4 minutes – a 26,2% saving Fewer transfers: In the study, transfers dropped by 62,7% – which in itself secures a ROI on the headsets of 1,353% “By moving from tethered headsets to wireless, this office equipment technical support center experienced multiple benefits, which were shown both in terms of measurable financial savings and in terms of agent satisfaction.

From the CFO to the front-line agent, everyone was a winner - especially the customers. Download the full report here Bring your conversation to the coffee machine, colleague, or private room. The Jabra PRO 900 DECT variants give you the wireless freedom to walk and talk at up to 120 metres of range (or 100 meters for Bluetooth variants). Lifelike conversations require great, ambient-noise-reducing speakers, and a noise-cancelling microphone that also avoids air shocks. With Jabra PRO 900 you can get both – and choose between a range of mono and duo variants. Hear the difference HD Voice makes Hear the difference Airshock makes Easy to use with all-day battery Jabra PRO 900 is easy to set up and get started with. Each headset comes with a pre-connected charging base so you can make calls straight away. With up to 12 hours of battery time, you’ll never have to worry about running out. Features at a glance HD Voice / Wideband Audio Noise-cancelling microphones reduce unwanted background noise and are ideal in crowded and noisy open working environments.

PeakStop™ instantly removes any harmful loud sounds before they even reach your ears. This keeps the sound level in the safe range and protects your hearing. Jabra SafeTone™ includes Jabra PeakStop™ and Jabra IntelliTone™ - enhanced hearing protection technology. It automatically limits the average volume exposure during your work day and keeps it within acoustic standards.voc eliminating air purifier Contact sales about this productmusty smell air purifier If you’re deploying more than 100 headsets,atlas commercial ozone air purifier you can also use this form to request a free trial (terms & conditions apply). Request free trial units for your organization. Terms & conditions apply.

Quick start guides, video tutorials, firmware downloads, and much more. Want a corded alternative? Try the Jabra Biz 2300 Take all calls on one headset. Try the Jabra Pro 9400 One headset for all phones Car Audio & Video Sign In to ManualsOnline Sign Up for ManualsOnline From Vic Firth & more Rent your band or orchestra instrument through our online rental site or visit your neighborhood Music & Arts location. Private lessons are building blocks to a life-long relationship with music. Each is customized to students interests and abilities Visit one of our 135+ neighborhood stores for expert advice on everything musical: products, rentals, lessons and repairs. Access the educator portal to easily shop for the right instruments, accessories, and music books for your class. From our humble beginnings in Bethesda, Maryland, to becoming a national music store chain, Music & Arts is a one-stop-shop for students, parents, and educators alike.

, we have every piece of gear or knowledge you need to be the best musician you can be. – is the home of music education. We offer educator approved band instruments and accessories like clarinets, saxophones, and the largest selection of reeds anywhere - with top brands like Rico and Vandoren. We also offer a wide variety of Violins, Electric Guitars, Acoustic Guitars, Mouthpieces and Accessories, and every method book or songbook you could ever need; including the best prices on Band Method Books! Rental Program - Our instrument rental program is the largest in the country – serving both individual schools with our educational services team and parents all over the country with our online rental program. Online we offer the following rental products: flute, clarinet, bass clarinet, alto saxophone, tenor saxophone, trumpet, trombone, French horn, baritone, percussion kit, bell kit, drum kit, violin, viola, and cello. To learn more, click Rentals at the top of the page or visit our Instrument Rental Guide.

Lesson Program – Teaching over 1.5 million lessons per year, Music & Arts is the largest private lesson provider in the country. Students love learning here and the lesson teachers love teaching here. Are you a student interested in taking lessons? Click Lessons at the top of the page. Are you a teacher interested in teaching with us? Learn more about teaching. Repair Program – With the largest instrument repair network in the United States, we’re ready to make your instrument playable again. To learn more about repairs, click Repair Shop at the top of the page, and be sure to watch the video! To further our music education mission, we’ve created a resource site to answer any question you might have about instruments, lessons, rentals, or repairs! Click here to enter The Vault.Just as we can shape specific colors in our images to create a specific look, we can “shape” specific sounds in our audio to create a specific sound. Most of the time, we use this shaping capability to create ear-catching sound effects.

However, I also use these techniques to warm up a voice or, more importantly, to improve the clarity of speech. This is especially important when creating projects for older audiences who’s hearing may not be as good as you would like. One of the sad facts of life is that as we get older, we lose the ability to hear high-frequency sounds, which means that it becomes harder to understand what people are saying.In this article, I’ll show you how to improve the sound of a voice using FCP X, Premiere Pro and Adobe Audition. Once you understand how this technique works in one application you can use it anywhere, because all that changes is the interface.NOTE: Since this article was released, I added two companion articles on boosting and smoothing audio levels. The first article covers Final Cut Pro X and the second article covers Adobe Premier Pro CC.Whether we are listening to music, speech or noise, all human hearing is based on frequencies – the variations in the pitch of a sound – and volume.

Normal human hearing is defined as a range of frequencies from 20 cycles (Hz) to 20,000 Hz. This range is typical for an 18-year-old adult. Children can hear frequencies beyond this range, while older folks hear less. While our hearing encompasses this range, which we call “20 to 20K,” most of the sounds we hear only use a portion of it. For example, an adult male voice is roughly 200 – 6,000 Hz, while an adult female voice is roughly 400 – 8,000 Hz. (And, yes, there is LOTS of variation between individuals. You only need to compare the voices of James Earl Jones to Chris Colfer.)Audio frequencies are logarithmic. What this means is that each time the frequencies double, the pitch goes up an octave (for you music majors out there). So, while human hearing spans ten octaves, human speech only covers about five octaves.When it comes to speech, vowels are low-frequency sounds – they lend the voice its richness, sexiness, and identity. Consonants, in contrast, are generally higher frequency sounds – they provide clarity to speech.

For example, the difference between the letter “S” – which has a hissing sound – and “F” – which lacks that hissing sound – is roughly 6,000 Hz in men and 8,000 Hz in women. While both sounds are formed the same way, air squeezing between the tip of tongue and the roof of the mouth, if you can hear the hiss, the letter is an “S.” If you can’t, it’s an “F.”As we age, our ability to hear high-frequency sounds decreases. This means that, while we can hear that someone is talking, when we can’t clearly hear high frequencies, it becomes difficult to understand the dialog. A good analogy is listening to two people talk on the other side of a wall. You can hear them talking, but you can’t understand what they are saying. That’s because the low-frequency sounds pass through the wall, but the high-frequency sounds do not. By boosting specific frequencies, we can make sure that our audience is better able to understand what’s being said. Which gets me to the purpose of this article.

To “warm up” a voice, we boost a range of bass frequencies. To improve clarity, we boost a range of higher frequencies. And the tool we use to accomplish both these tasks is called an EQ filter (EQ is shorthand for “equalization”).AUDITION: APPLY THE PARAMETRIC EQ FILTERHere I’ve added a female narrator to my mix. To apply an EQ filter, select the track, then choose Effects > Filter and EQ > Parametric Equalizer.This displays the filter. The blue line represents the range of human hearing from 20 – 20,000 Hz (bass is ALWAYS on the left). The seven white dots represent control points:The two control points we are most interested in for this article are #2 and #4 which control frequencies at the bottom and top of human speech. (In fact, as you’ll see in all three examples, the control ranges are all numbered the same and we consistently use #2 and #4.)What an EQ filter does is boost the gain (audio level) of a range of frequencies. When we adjust the volume of clip, we adjust all frequencies equally.

An EQ filter allows us to boost some frequencies without boosting others.The key point you need to keep in mind is that, like gray-scale values, we can’t boost a single frequency. We are always adjusting a range. Sometimes a wide range, sometimes a narrow range, but ALWAYS a range.The numbers at the bottom of the filter window represent the adjustments we can make.The easiest way to change a setting is grab the white dot in the frequency display and drag it.To warm a voice, here are the settings I recommend you start with:Don’t add too much. The more low-frequency emphasis you add tends to make the voice sound “rumbly” and muffled.To improve clarity, we need to boost the higher frequencies in the voice. For me, improving clarity is much more important than boosting bass. Here are the settings I recommend you start with:In both these cases, we are making small adjustments. Think of this as adding seasoning to a soup. You aren’t going to change the flavor of the soup by adding salt, just as you won’t change the composition of a shot by removing a blue cast.

However, you can make it better than it was.To compare your results, click the green Power button to enable (green) or disable (gray) the filter. Adjust the filter to best suit the voice and what you want it to sound like.FINAL CUT PRO X: ADD THE FAT EQ FILTERFCP X has a very similar filter, and the settings are similar. In this case, select the clip, or clips, to which you want to apply the filter.Scroll down in the Effects Browser (Cmd+5) to the Audio > EQ category.Drag the Fat EQ filter on top of the selected clips. (There are other EQ filters in Final Cut, but the Fat EQ is both the best and most flexible.)With the clip(s) still selected, go to the Inspector, click the Audio text tab, then click the small icon to the right of the Fat EQ effect name.This displays the Fat EQ filter. Again, the 20 – 20K range of frequencies is displayed as a red line (bass is on the left). This has the same five settings as the Audition filter (without the low and high-cut settings).To boost the bass, click and drag the #2 round circular control up, or down, to change the amount of gain for the selected frequency range.

Also, change the Q setting, at the bottom of the filter, from 0.74 to 2. (0.74 is a bit too broad for what we are doing.)Here are the settings I use for a man’s voice.Here are the settings I use for a woman’s voice.To disable a specific setting, click the blue number. Blue is active, gray is inactive.PREMIERE PRO: ADD THE EQ FILTERIn Adobe Premiere Pro CC, select the clip, or clips, to which you want to apply the filter. Then, from the Effects panel drag the EQ filter on top of the selected clip(s).NOTE: There are two other EQ filters in Premiere that can be used: Parametric EQ and AUEQ. However, the interface on the Parametric EQ would scare anyone and the AUEQ filter is, as far as I know, Mac-only. I prefer to use the EQ filter.To display the filter, select the clip (if it isn’t already selected) and choose the Effect Controls panel. The filter is displayed in the list. Click the Edit button to display the interface.First, check the Mid1 and Mid3 checkboxes to turn these filter controls on.

Then, here are the settings I would use for a male voice:And the settings for a woman are the one’s we used earlier:To disable to filter so you can compare what you are doing with the source clip, click the italic fX to the left the EQ filter name in the Effect Controls panel.There is no rule that says you have to use any of these settings. Often, I’ll boost the highs to improve clarity and leave the low frequencies alone. As with all things in audio, listen to the results and decide for yourself whether you like it or not. I also make a point to listen to final audio on speakers, not headsets. Often, headsets are too good and you hear things that can’t be heard when using speakers.Feel free to shift frequencies or adjust the gain to get the results you want. My numbers are starting points, not locked in stone.I manipulate the EQ in virtually everything I create. For my live podcasts and webinars, I take time to pick the best mic and preamp to get the sound I want because I can’t adjust the sound later.